Painting, works on paper and objects. A home for the work online — and sales that go directly through it, without gallery commissions.
The full body of work in one place — what is currently scattered across Saatchi Art, galleries and social feeds. Titles, dimensions and media are pulled from the artist profile; shown here as samples.
The section that convinces buyers: you see the scale, the color in a real room and how the piece holds a wall.



More than twenty exhibitions since 2016. Each one has its own page with installation photos and the works that were shown.
The texts are not written by a copywriter — they come from what the artist has already written. The reader meets a living person, not a service description.
"In art you should not try to please the majority. Sometimes one piece that truly lands with one person is worth more than a solution that works efficiently for thousands."
July 25"The studio is my best work. It is not a backdrop for the art — it is part of the work itself."
July 18"Every mark, every layer, every failed decision stays inside the piece."
July 13"I feel sharper, see deeper and remember longer. Give me a museum and I will turn it upside down."
July 6The paintings are built from signs, and the meanings are the artist’s own. This section turns looking into reading and keeps people on the site longer than any gallery page.

Serhio Lichi, painter. Based in Tulum; the most recent large canvases were painted in Cyprus. With Ekaterina he runs the art bistro Brunchy Brunch in Moscow.
Press mentions gathered in one place — the kind of credibility that currently gets lost in a feed.
Messages arrive by email and Telegram, so you see immediately what someone wants: to buy a piece, invite you to a show, propose a collaboration or simply say thank you.
A personal message from the artist — the first thing a visitor sees
This is how an exhibition opens up: its own page with installation photos and the works that were shown